Now a little over two years old, Art Nouveau Magazine & GREATeclectic’s Noise Porn music compilation still bangs. Take a look back at our first musical project as told by Swiper Bootz.
I wonder if Bey practices Tai-Chi… #kanyeshrug Even if they don’t understand the flow… #heypapi #litrally
That awkward moment when Not Obama trends worldwide as Nicki Minaj salutes self-proclaimed Mr. President “Weezy F. Baby.” // #inrelatednews Sources agree: “Our children isn’t learning.”
Live fast, die young… #badgirlsdoitwell… Maya Arulpragasm – like the Mayans – had it right… even when wrong:
Good music speaks volumes… rather than impose analysis, step back and expose linguistic artistry… why critique that which has achieved perfection at its own masterful conception… listen, look, and linger in fantastic rhythmic reality: lyrically speaking
Oh, hai “that time of year again,” didn’t hear you come in – well, have a seat and make yourself comfortable. I’m not spectacular at year-end reviews… I prefer life like I prefer my albums: gapless. That said, I hat-tipped five artists, songs, and albums that made me pause and take time to jot the time and place – year included – over the last 300-someodd days; and five creations that embodied and encapsulated sonic aesthetic for 2011. To the five I take, to have and to hold; forever like a TrapperKeeper, Pop safe in the fold. #enjoi
“The highs, the lows, from the trenches and throws through puffs and blows… Alex Ludovico’s Fame Kills: In His Own Words
Oh, hai “that time of year again,” didn’t hear you come in – well, have a seat and make yourself comfortable. I’m not spectacular at year-end reviews… I prefer life like I prefer my albums: gapless. That said, I hat-tipped five artists, songs, and albums that made me pause and take time to jot the time and place – year included – over the last 300-someodd days; and five creations that embodied and encapsulated sonic aesthetic for 2011. To the five I take, to have and to hold; forever like a TrapperKeeper, Pop safe in the fold. #enjoi
The Black Keys constituents Dan Auerbach and Patrick Carney’s previous offering–Brothers–was their first commercial success, despite the fact that it had some noticeable weaknesses. Namely, it featured a large number of ballads and underwhelming up-tempo tracks, which were a huge contrast to the contents of the album’s most endeared, hard-hitting predecessors, “Thickfreakness” and “Rubber Factory.” Now, the Black Keys are back to fill a gaping void in the Alternative Rock scene. They have approached the project with much needed innovation and a revamped sound, in order to create something more than a sequel to their prior commercial success. This venture is marked by a fearless attempt to capture listeners by muscling full speed through perilous terrain, and it reaches its mark without once losing momentum–or a sense of humor.
GLADWELL: Welcome to Blink Radio. I’m Malcolm Gladwell and we’re here with Kenna who’s just about to unveil his newest work on the masses. Hello Kenna.
KENNA: Hello Gladwell.
