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Issue #9: SKIN
Editorials
Pics of the Patch
#BuyBye #GREATeclectic 6.13.2013 at The Alchemical in NYC
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" If anything, Vespertine is Björk’s love letter to the softer side of humanity" #artnouveau #bjork #sonicscapes #delayedreaction
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lvis Presley had millions rocking and swinging to his music. Despite the undeniable influence there were skeptics who saw a different picture. In the words of Little Richard, “He was an integrator…they wouldn’t let black music through. He opened the door for black music.” In the same vein, in the words of Sammy Davis Jr, “There was something just bordering on rudeness about Elvis. He never actually did anything rude, but he always seemed as if he was just going to. On a scale of one to ten, I would rate him eleven.” Miami based artist Pete Kirill might be of the latter opinion when it comes to the King of Rock and Roll. His latest mural makes a statement about how Elvis was influenced by black music, and then in turn Rock and Roll influenced Hip-Hop. #artnouveau #miami #streetbrilliance #wynwood
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Leon Keer continues to shock and awe with his outrageous 3D street murals #streetbrilliance #artnouveau #3D #japan
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Well this is forward… #MakeNoMistake “I Wanna F*CK Rihanna” – Dope.Boy.Magic. #streetbrilliance #posters #artnouveau
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Jose Gabriel Angeles is one crude dude. Don’t believe me? Take one look through his portfolio which gives equal parts of beauty and the grotesque. Welcome to disgusting, sleazy, weird, insane world of J.G. Angeles. #ArtNouveau #ArtandAestheticAces #illustration #lisasimpson #neopop
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"The Arrogance of Youth" editorial from our #kicksandthrills issue out now
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Check out this poignant street art project addressing gender based street harassment by Brooklyn based oil painter Tatyana Fazlalizadeh. #BTW STOP telling women to Smile
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If Art is meant to disturb, David Saxton is a modern Dadaist creating afflictions on canvas
If George Baroque is right and “art is meant to disturb,” David Kevin Saxton is creating rebellion on canvas. Admittedly, uninterested in creating generic landscapes or pictures that are aesthetically pleasing, David hopes to illustrate the world as he sees it, through his eyes–-sometimes rebelling with imagery and sometimes absorbing the beauty that lies next to me.
As an artist he likes to create political pop art to illustrate his own social commentary of the world we live in. To stay true to his influence of Dadaism, David uses many classic techniques of collage, photo-montage, and assemblage — using multiple tools such as stencils, spray paint, acrylic paint, silk screens, computer generated images, plastic toys and even recycled garbage. Currently he resides in the coal baron lands of north eastern Pennsylvania, in a little cold city named Wilkes-Barre.
“The Greater Continental Pledge”
“POPstraction”
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